In Marie-Helene Bertino’s “Edna in Rain” (reviewed in February), the narrator’s ex-lovers are literally raining from the sky, leaving her to deal with the surprising consequences. In Ling Ma’s “Los Angeles” (Granta), the narrator has similar problems with past lovers, leading to a wild exploration of memory’s hold on the present. In the first paragraph,…
Few images are more boilerplate in capturing the parental role of ushering a child towards independence than that of parent teaching a child how to ride a bike—the pushing, the holding, the letting go, the tears. In “Once You Learn, You Never Forget” (Cimarron Review), Anthony Varallo resurrects this image from cliché into a complicated…
Romeo, take me somewhere we can be alone. I’ll be waiting; all that’s left to do is run. You’ll be the prince and I’ll be the princess, It’s a love story, baby, just say, “Yes.” Taylor Swift left out the part about Romeo and Juliet dying, though. Why does the Romeo and Juliet story continue…
As Virginia Woolf famously observed, the best writing often begins with a rhythmical “wave in the mind,” an inner tempo around which syntax and diction are arranged, a guiding beat of artistic intuition that, when struck upon, makes it nearly impossible to set down the wrong word. Other writers have similarly expressed the importance of…
Anyone who has owned a cat has at some point looked on it with envy as it slumbered peacefully through the day. How are they so comfortable in their own skin? So clear in purpose, while we humans struggle so mightily to know who we are and what we should do? “Raised by Humans” (New…
John Gardner once wrote, “If there is good to be said, the writer should say it. If there is bad to be said, he should say it in a way that reflects the truth that, though we see the evil, we choose to continue among the living.” While I couldn’t agree more with Mr….
Flannery O’Connor wrote, “The longer you look at one object, the more of the world you see in it.” In her second-person flash fiction piece “How to Eat Chicken Wings,” (Tin House/The Open Bar) Kristen Arnett takes a long look at the object in her title, and what’s revealed is a story about overcoming and…
Over the last few years, Vice President Joe Biden has popularized the refrain, “Show me your budget, and I’ll tell you what you value.” As the title suggests, the dark, epistolary comedy “Constant Worth” by Jon Willer (Paper Darts) explores the values shown through personal economics, both in the present and historically. The story begins with…
As the election cycle ramps up, it becomes more and more apparent the many philosophical divisions splitting our country here in the United States. In her story “The We of Me” (The Rumpus), Lucy Jane Bledsoe takes us into a future dystopia where her characters—our descendants—are drawn to transcend the different iterations of those same…
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