Literary Enemies: Gabriel García Márquez vs. Alejandro Zambra Disclaimer: García Márquez has no enemies but the F.B.I. A few weeks ago I went to a panel at the National Book Festival that featured Alejandro Zambra, a Chilean writer I like a lot.[1] (Yes, I started reading him because of the James Wood piece about him…
Bookbinder Odette Drapeau has been internationally honored for her modern and dynamic approach to what is often considered a traditional craft. To Drapeau, the book is both “a visual and tactile object where the container and content can connect to generate other visions.” While continually experimenting with new concepts that transform her practice, Drapeau also…
Yuval Noah Harari argues in his book Sapiens: A Brief History of Humankind that much of humankind’s success as a species is owed to its ability to create fictions. Harari focuses primarily on large-scale, societal fictions, say the nation or the corporation. In “Away” (Green Mountains Review), Karin Lin-Greenberg explores our smaller, more personal fictions,…
Complicated bad guys are nothing new. There’s something delicious about complex entertainment; we’re able to envision ourselves in the shoes of the antihero and exact revenge or serve righteous justice, but we’re also able to vicariously live through their actions that lie outside the boundaries of acceptable behavior. When it comes to our villains, we…
Don’t do drugs, kids; read books instead. More often than not, they inspire the same chemical rush with less brain trauma. Herein is a list of ten books with intoxicating, stimulatory, or hallucinatory qualities for the literarily psychotropically-inclined. Though no doubt many deserving books would be right at home on this list, these are just…
What constitutes the difference between delusion and imagination? Where does one end and the other begin, or are they related at all? Colette Inez explores these intersections in her story “Stamp Fever” (The Georgia Review), from the perspective of a young boy struggling to overcome family difficulties. Our introduction to the young protagonist comes when he…
The ways in which we humans find our sense of community and identity—nationality, race, religion, class, family etc.—are often also what make connecting with people that don’t share our backgrounds more difficult. Sunisa Nardone’s “Golden Land” (Atlas and Alice) explores the many obstacles facing strangers struggling to connect while awaiting departure from a Bangkok airport. In…
How to express the unsayable in language? If there is one shared pursuit among writers, it is perhaps this: to capture an elusive essence, to paint emotion with words. In her debut novel Spill Simmer Falter Wither, Irish author Sara Baume meets this enduring challenge to astonishing effect, adeptly portraying the searing core of loneliness,…
How many words does it take to encapsulate a feeling? An experience? A story we looked at two weeks ago, “Love” by Clarice Lispector, spends just under 3,500 words exploring its title, where Jonathan Franzen’s Freedom takes well over 500 pages plumbing its own. While “Fatherhood” by David Rutschman (Waxwing) is a mere 174 words,…
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