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Norwegian author Knut Hamsun’s Hunger (1890) is widely regarded as one of the pioneering works of Modernist fiction. Telling a semi-autobiographical story of a starving writer’s decent into madness, the novel is celebrated for its deft explorations of the mind. Notably, Hamsun’s innovative use of internal monologue and stream-of-consciousness directly influenced major writers such as…
A few weeks back I wrote a column about “Optimism” by Angie Kim. In her story, the main character suffers a recent traumatic event, and in her grief, produces a ritual around it. Anne-Marie Kinney’s wonderful story “The Ritualist” (Alaska Quarterly Review, Fall/Winter 2014) explores the nature of rituals through a character whose entire…
We often call a story vivid because of its language and sensory details, whether they be in the tradition of writers like Faulkner (ornate) or Hemingway (spare). James Miranda’s story, “We Knew Horses,” in this fall’s Cimarron Review (Issue 158) does a masterful job using language and details of both traditions, setting the two at…
I’m a believer that some story shapes lend themselves more readily to pieces of different lengths. The shape of Mary Helen Specht’s story, “Night Island” (Prairie Schooner, Winter 2014), is risky and surprising, and might not work as well in a longer story or novel. But it’s what allows her six-hundred-word flash fiction piece to…
In this second installment of the Literary Blueprints series, we’ll look at the Mad Woman. Don’t forget to read the first Blueprint, The Byronic Hero. Origin Story: Also referred to as “The Mad Woman in the Attic,” this character type hails from the dark side of Jane Eyre. Bertha Mason, the mysterious Mr. Rochester’s first…
The opening sections of Alix Ohlin’s wonderful short story “Taxonomy,” (TriQuarterly 146) shows how a simple plot can open into a compelling mystery through just a few quick descriptions. In the first scene, the narrator Ed stops at a roadside Amish gift shop to try to find an appropriate gift for his daughter. As you…
There aren’t many books that are the best. I have favorites; we all do. Awards committees and English departments do. There are classics and The Best American Short Stories and all the rest, but how many books can you say, without second-guessing yourself, without blushing or adding, “I think,” are the best of their type?…
In Richard Bausch’s classic short story, “What Feels Like the World,” the looming grief over a mother’s death is conveyed through an impending vault at an elementary school gymnastics demonstration. In Amy Hempel’s classic, “When It’s Human Instead of When It’s Dog,” the tragic death of a spouse is portrayed through a carpet stain that…
I love art from other art. Ballets inspired by narratives. Garments influenced by architecture. Paintings that translate sound into color. Recognizable connections light up our synapses. We like things that remind us of other things, particularly if the connections are clever. (How else do you explain the popularity of “Weird Al” Yankovic?) Inspired work…
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