Series

Fiction Responding to Fiction: Jamaica Kincaid and Bret Anthony Johnston
|

Fiction Responding to Fiction: Jamaica Kincaid and Bret Anthony Johnston

Bret Anthony Johnston’s “Boy” is very much an homage as well as a companion piece to Jamaica Kincaid’s “Girl.” The ways in which Johnston chose to mirror Kincaid’s piece show us the gender, class, and race equivalencies. Both Kincaid and Johnston are most interested in gender and the lessons passed from parent to child.

The Readers: Scott Esposito and the Redemptive Powers of Translation

The Readers: Scott Esposito and the Redemptive Powers of Translation

We misunderstand each other and we pull away. Even within one language like English, words mean different things to different people, and we gravitate towards those who use this meaning-making technology as we do. Some people struggle to differentiate between systemic issues and issues of personality. The quest for a purer communication continues.

album cover for Are You Experienced by Jimi Hendrix

The Black Aesthetic: Salvation and Deliverance in Jimi Hendrix’s “Hear My Train A Comin'” and “Purple Haze”

Forty-seven years ago, in the month of September, the legendary blues rock singer Jimi Hendrix died. When Hendrix passed away suddenly from an unintentional drug overdose at the age of twenty-seven, he was at the peak of his musical career.

Imagining the Anthropocene: The Corporeal Poetics of Marianne Boruch’s Cadaver, Speak

Imagining the Anthropocene: The Corporeal Poetics of Marianne Boruch’s Cadaver, Speak

In her book Cadaver, Speak, Boruch engages in a corporeal self-study through figure drawing, art history, and medical anatomy. From inside her own “bonehouse,” Boruch builds a poetics of embodiment, suturing her firsthand observation to the cultural paradigms that have marked our language.

The Limits and Freedoms of Literary Regionalism: The Power of Repeated Setting and Statement in August Wilson’s “Pittsburgh Cycle”

The Limits and Freedoms of Literary Regionalism: The Power of Repeated Setting and Statement in August Wilson’s “Pittsburgh Cycle”

For August Wilson, his hometown of Pittsburgh was the setting for nine of his ten plays; his complete oeuvre thus earning the moniker “The Pittsburgh Cycle.” Each play is set in a different decade, allowing Wilson to examine the black experience across different times, but in the same place.