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Finding Readers

How do we find good critical readers for our work?  Whose eyes will see it as ours can’t or won’t?  Who makes for a better critic – a sympathetic reader, or a skeptical one?  We ask much of these readers – they must devote time and emotion and thought.  They must have knowledge of the…

Cover image of A Riot of Goldfish

A Riot of Goldfish

A Riot of Goldfish Kanoko Okamoto (Translated by J. Keith Vincent) Hesperus Worldwide, January 2011 114 pages $15.95 David Mitchell, in his fine introduction to this slim volume of two novellas, writes that author Kanoko Okamoto’s great theme is the “frustrated striving for aesthetic perfection.” Certainly her novellas have that quality, something like Hawthorne’s tales…

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Meter

I am a poet without a kind.  I write formal poems in an age of free verse (not to mention poetry in an age of prose!), but I don’t feel kinship with the most visible formalist movements.  The divide I feel goes beyond subject matter and worldview, though these do play a part – they…

Cover image of John Pollack's The Pun Also Rises

The Pun Also Rises

The Pun Also Rises John Pollack Gotham Books, April 2011 240 pages $22.50 I’ve long loved wordplay, and long been puzzled, too, that many in the literary community don’t—especially, it seems, in my peculiar branch of it in Boston. Aren’t writers meant to be passionate about words and all their uses? Aren’t nuance and double…