Under Review: On Bullfighting by A.L. Kennedy (2001, Anchor Books, 176 pages) Scottish novelist A.L. Kennedy’s exploration of Spain’s matador culture begins, jarringly, with the author in earnest contemplation of her own suicide. Fortunately she backs off the ledge. But the pervasive theme of On Bullfighting, and of bullfighting in general, has been dramatically established: death,…
Dear Sally, I’m a single mother with four kids—everything from tweens to a would-be adult—and I just went back to work full-time. I tell people I’m a writer, but lately I’m a just a thinker, collecting details and perhaps inspiration but never transposing them to the page. I read your sage advice but I still…
I don’t often love stories told from the perspective of kids. I think it’s difficult to write a child that feels believable—or interesting, to be honest. For me, stories with a child or teenage narrator too often devolve into the overly cute. The narrator is too precious. The character’s simple, bald observations aspire to be…
In our Writing Lessons series, writers and writing students will discuss lessons learned, epiphanies about craft, and the challenges of studying writing. This week, we hear from Emily Maloney, a student in the MFA program at the University of Pittsburgh. You can follow her on Twitter @emilyfmaloney. —Andrew Ladd, Blog Editor I registered for my final required…
Meet the Busy Brag: social media’s hate-worthiest addition to the human experience. I am important, cry the crafted tweets and updates, because busy. Did you guys happen to notice I’m busy? If not, here are some pics about my busy. It’s a good thing you’re not as busy as I am, or you’d miss my…
I have to imagine that, within the Ploughshares community, there are just about as many writers as readers: those who love stringing words together, seeing how they taste when they read them back to themselves… Those who continue to look for the best words with which to hit readers in the gut with the greatest possible impact….
My newest literary kick is immersing myself in literature from Latin America that hasn’t been translated to English yet. Reading outside of the American canon, you learn new tricks and new ways of cutting familiar narratives—but if you’re lucky you learn a new kind of reading altogether.
A rule I learned as an editor: when you look at a book’s acknowledgments, the effusiveness of praise for an editor is inversely proportional to the effort he or she put into the book. If a writer goes on and on about her editor, that editor did almost nothing. However, editors who wrote whole sections…
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