MFA vs. DMV
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What has been overlooked in analysis of Tsitsi Dangarembga’s Booker Prize nominated novel is her use of the second-person perspective in combination with the simple present tense—creating a readerly experience of selfhood and time that does more than the second-person can alone.
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It’s a digital age, but we’re still mad for paper! Even as readers embrace the connectivity and convenience offered by iPads and Kindles, there are still many good reasons to celebrate a book’s physicality. In Ploughshares’ Book Arts series, we’ll be looking at some of the artists, curators, and craftspeople who work to keep things…
The Humanities Are Not In Crisis: Two Writers Whose Pens Shape the Arab World
I just got back from MLA 2016, the annual Modern Language Association conference in which every year (every city) you’ll hear a variation of this same question at least five times a day: Are the humanities still relevant? That is, of course, the general anxiety that underwrites so many of the incredible panels one encounters…