Inherited Trauma in We Cast a Shadow
What the narrator of Maurice Carlos Ruffin’s debut novel doesn’t fully comprehend is that he is worried about his son inheriting trauma from him. Inheriting something that cannot be wiped away.
Blog
Luster, A Lover’s Discourse, and the Portrayal of Whiteness
The protagonists of recent novels by Raven Leilani and Xiaolu Guo dwell on a cross-racial gaze, othering the white men who are the objects of their physical affections. In this, they attempt to reverse the gazes of centuries by paying an anthropological attention to their partners’ bodies, speech, and behaviors.
Parsing Identity in Grief in Himmo, King of Jerusalem
It is for her own future, for a possibility of life for her as well as for the other patients, that the painful reminder of Himmo—the broken, sightless, tortured embodiment of his own country—must be destroyed. Only then can she walk out into the smoking remains and start anew.
Love, Liberation, and Empowerment in Godshot
Chelsea Bieker’s debut novel, out today, feels familiar, devastating, like it has already happened, could, or might again. It’s the story, too, of motherhood in all its iterations, from abandonment to adoption, at the best of times and worst, and the moments, no matter how small, of love.
“Unfortunately, the Book Continues to Be Relevant”: An Interview with Erika Meitner
When Erika Meitner was in the process of adopting her youngest son, she was surprised to discover just how many households in her neighborhood had firearms. Erika Meitner’s new poetry collection uses these two life events to examine safety, violence, and raising a family in rural Appalachia.
The Joys of a Journal
Last April, I attended Alexander Chee’s talk on reporting the self. He said: “The thing that you remember is the thing that you live with.” I’d never heard this truth stated so clearly before. What else but memory could be at the root of so many personal conflicts and problems?
Still Life with Oysters and Lemon’s Meditation on Life, Death, and Memory
If still life is a background of lustrous dark space against which shines life, Mark Doty uses this composition to show how memory illuminates certain people and objects while allowing others to recede.
Read Backwards You Were A Grandchild
“No story that I write can give shape to all my absences. No matter how measured and articulate, no pronouncement I can make can bring back the dead. I’m not trying to tell a better story anymore—I don’t trust narrative.”
Parentheticals in Miriam Toews’ Women Talking
In her 2018 novel, Miriam Toews uses parentheticals to great effect—exploring and undermining ideas about objective narration, and reflecting on power in narration, who gets to narrate particular stories, and how the person who appears to have power in a particular story may not have power at all.