I spoke with Dr. Erdağ Göknar, an award-winning scholar, poet, and translator, about how his diaspora background contributes to his work, his approach to translation as a creative act, and the limiting factor of editorial expectations in publishing Turkish texts in translation.
I’ve been thinking too much about reality entertainment lately. It was inevitable that I would find myself reading Alberto Fuguet’s The Movies of My Life this summer, and I’ve been wondering: how does a country cope with disillusion? Or rather, how does a person deal with its dissolution?
Perhaps, in connecting the song’s teachings of drug struggles from the ’60s with those of the book and films of the ’90s, both similarities and differences across these platforms can provide intake on why the opioid epidemic either comes in waves, or never truly leaves.
The chapbook box set New-Generation African Poets, edited by Kwame Dawes and Chris Abani, is the fifth of its kind, an annual project of the African Poetry Book Fund, produced by Akashic Books. The set consists of chapbooks by poets either living in Africa or of African heritage.
One hundred pages, six poems. A hand holding a small ball of foil reaches across the center of the cover, finger stretched, insistent or offering.
When Performer Magazine prompted me to write about being a Black female music writer, I was apprehensive at first. But when that essay was published, I realized how inherently political my writing is—and how important it was for it to stay that way.
What It Is is expressionistic and difficult. Before the techniques are imparted (and they are, eventually) Lynda Barry spends more than one hundred pages blending comic panels, short passages of autobiography, and gorgeous, bizarre full page collages that explore the fundamentals of craft and creativity.
Recipient of a Pulitzer Prize for theater criticism, Hilton Als often writes about the intersections of performativity, popular culture, and reflection—that is, the ways art can and cannot reflect something resembling truth. I first found my way to his writing through his book White Girls.
The internet giveth and it taketh away. What it gives readers is legion. What the internet contributes to taking away, however, is the ability to concentrate.
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