The contributors to Margot Kahn and Kelly McMasters’s new anthology risk sharing their desires on the page in empowering personal essays that demonstrate astonishing courage, but also craft, making it a collection that reveals the relationship between wanting and body, mind, and heart, but also between wanting and voice.
Price’s poems often play with dreams, with alternate realities. Price writes about these dreams, these alternate realities, by using metaphor, by making lists, in which one person, one object, one thought, lives different realities. Love poems here have the names of the dead. Poems repeatedly turn serious.
With its clipped, direct sentences and its abundance of resonant questions, long and short, Koca’s prose mirrors this narrative doubleness—giving readers an experience that is both irresistibly consumable yet compellingly durable.
With her third collection, out last week, Éireann Lorsung’s ambition is clear: to conduct a historical audit in poetry of the points of history her life touches.
Three recent books by poets Valzhyna Mort, Eduardo C. Corral, and Claudia Rankine examine state violence by using violence’s signatures—repetition and accretion—as tools within the text. In these works, post-Chernobyl Belarus, barren American border landscapes, and the minefields of everyday social interactions are scrutinized, again and again.
Jennifer Savran Kelly’s new novel, centered on a genderqueer bookbinder living in New York in 2003, is a story of intimate discoveries.
Deesha Philyaw’s debut story collection skillfully blends inward reflection with outward mother-daughter battle, the narratives softened within the larger embrace of a nurturing, cross-generational women’s world that transcends particular times and places.
Mariana Enríquez moves past a superficial top layer of social commentary as quickly as possible to embroil the reader in the true horror at the core of her epic: the responsibility foisted upon those who inherit the history to watch the horrible truth slowly come to light.
Eileen Chang’s stories portray love as having a dual nature, often experienced as hot or cold, and they reveal what can happen as people navigate these opposing forces
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