Round-Up: Word of the Year, June Eric-Udorie, and Best of 2016 Lists
From the the word of the year to an anthology on feminism, here’s the latest literary news.
Blog
Science Fiction for the New Year (and the New Administration)
Classics such as George Orwell’s 1984 with its now-ubiquitous “Big Brother,” Ray Bradbury’s censorship critique Fahrenheit 451, and Margaret Atwood’s terrifyingly gender-regressive Handmaid’s Tale depict societies strangled by the evil clutches of the government and the populace’s inability to identify and challenge their own manipulation.
Aloud Poetry
For so long, I’ve heard academic poets and readers disparage poems written to be spoken aloud, condemning them as less thoughtful, as noisy and navel-gazey, their craft less delicate and considered.
“Post-Truth” is the Anti-Poetry of Our Time: Why I’m Reading Carmen Tafolla ahead of 2017
The humanity of Carmen Tafolla’s poetry collection, Salsa and Sonnets (Wings Press) brings me back to the year I was living in Mexico City when in 2014, forty-three Ayotzinapa students were disappeared and presumably killed.
The Zora Neale Hurston/Richard Wright Foundation
The Hurston/Wright Foundation was founded in 1990 in Washington, D.C. by award-winning author Marita Golden and bibliophile/cultural historian Clyde McElvene.
Review: SWING TIME by Zadie Smith
In a novel about history, about generations, reading Swing Time is like suddenly remembering a song you used to love.
Dogs in the Literary Imagination
From Odysseus’s faithful Argos to White Fang to Phyllis Reynolds Naylor’s Shiloh, dogs have occupied the centers and peripheries of human stories since we began telling them. It’s no wonder; dogs were first domesticated by hunter-gatherers (not, as many believe, by agriculturalists) over 15,000 years ago, the first species to live among and alongside people.
3 DoubleCross Press Chapbooks: Style Meets Sonority
DoubleCross Press makes gorgeous letter press chapbooks. But these aren’t just pretty faces; it’s what’s on the inside—poetry, poetics and “prose-ish” pieces—that counts. This month, I review three of them.
“I was a house / I was a witch” : Muriel Leung’s “A House Fell Down on All of Us.”
“I was a house. / I was a witch” declares the middle stanza of Muriel Leung’s “A House Fell Down on All of Us” from the newest issue of DRUNKEN BOAT. This poem, in my reading, functions to present intermingling transformations that perform whatever an opposite of distillation forecloses.