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At whatever point “Make it new” became a phrase so canonically removed from its creator that it began to reach the minds and ears of young writers years before they’d ever pick up Pound’s poetry, a particular fine-edged damage was done.
There’s never been a better time for poetry chapbooks, with hundreds of presses publishing excellent, innovative examples each year. This proliferation invites a closer look into the chapbook’s history as a medium for more direct engagement and dialogue between writers and readers.
Helen Macdonald’s choice to raise and train a goshawk in the wake of her father’s death is a decision tied inexorably to the notion of “wild” life and land. H is for Hawk is a sensitive, fraught, and unexpected memoir of land and what it means to be wild.
Last year, at 28, I attended my first writer’s conference in Virginia and a fiction workshop. I felt like a wallflower who’d only just realized all the other flowers had long ago left the wall in pursuit of something deemed extremely useful in the American literary community—the MFA.
In her miniature portraits of a failed salesman transformed through food, a forgetful elderly woman, a young woman making dinner for a sometime-boyfriend at the same moment that he is dying, Flick examines seduction and heartbreak, the complications of new relationships, the dynamics of long-time ones, love, loss, and devastation.
“Materia VII,” the new poem by Joey De Jesus featured in this month’s WILDNESS, an online literary arts journal published in coordination with Platypus Press, uses several relational jumping off points to supercharge the text-scene.
During my first week of college, at the University of Iowa, several of us students were playing cards in my dorm room, when, unrelated to the game or to the conversation, one of the other freshmen asked me, “What are you?”
Hire people who don’t look like you. Publish work that doesn’t sound like yours. Read work that doesn’t sound like yours. Take a look at your board, your editors, at the people in charge of the literary festival. If they are predominantly white, start over.
Poet francine j. harris and artist Devin Kenny explore how technology affects language, how they go about the processes of investigating their own work, and who their mentors are–as well as how they themselves have mentored others.
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