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Sandy Longhorn is the author of three collections of poems, Blood Almanac (Anhinga Press, 2006), The Girlhood Book of Prairie Myths (Jacar Press, 2013) and The Alchemy of My Mortal Form (Trio House, 2015). She teaches at Pulaski Technical College in Little Rock, Arkansas, and co-edits Heron Tree, “a journal of online poetry, bound annually.”…
If the Byronic Hero is the bad boy of literature, then the Temptress is his female counterpart. The Literary Blueprints series looks at dangerous ladies and their wanton ways. “She looked slick as hell; polished, neat, and with that feminine deadliness that can drive you nuts. They work on it till they get complete control…
Why is it that most American poets know very little about contemporary poetry from Britain and Ireland? A good number of them are published in Britain; they give readings at festivals in the UK and Ireland where they’re able to meet and hear the work of their British and Irish counterparts. Many of the poets…
As anyone ever tasked with disciplining a child (or heck, even anyone who has ever been a child) can attest, telling someone they are forbidden from accessing something only makes that person more likely to want that particular thing. Case in personal point: when I was about thirteen, my parents came home from a trip…
Nonfiction as a genre confronts the discordance between memory—a slippery, subjective entity that can be the antithesis of truth—and actuality. Roy Peter Clark writes of the “essential fictive nature of all memory.” Mark Kramer and Wendy Call, editors of Telling True Stories: A Nonfiction Writers’ Guide from the Nieman Foundation at Harvard University, write “of…
One thing I’ve learned teaching in the Cornell Prison Education Program is that a person in prison, more often than not, is someone whose whole life has felt like a long imprisonment. People don’t become prisoners at random. First came the violences of neglect or poverty. Or the glimpses of horror. As children, they were the…
Some narrators announce their unreliability in the opening sentences of a short story (see Matt Sumell’s “All Lateral”), and in this way their skewed vision of the world serves as a stylistic lead, drawing readers in. In “The Know-It-All,” from the latest New Ohio Review, Jeff Spitzer creates a narrator whose reliability is revealed…
The Paper Man Gallagher Lawson Published: May 12, 2015 Unnamed Press 261 pages Buy: book A man with a papier mâché body and hair made of yarn attempts to break out of his protected, isolated, and stagnant life and escape to an unnamed city. On the bus, a one-eyed man steals his belongings. Caught…
It’s no secret that Mexican writers are making a comeback. Though it should be said Mexican writers have never left the building. They’ve been around: working, translating, publishing in plain sight as the rest of the western world goes on lamenting boom writer after boom writer’s death. In the meanwhile, a new, millennial generation of…
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