In the past few weeks, we’ve seen a lot of takes on the tragic Charlie Hebdo massacre (see the Round Down for a good selection). One of the most common, and understandable, reactions from writers and thinkers has been the attempt to parse the sensitive cultural issues involved—this stems from the fact that Charlie…
I’ve always liked cemeteries. Not in a morbid or macabre way. I’m not really a graver, a tombstone tender, stone stroller, death hag, or taphophile, I just like the quiet peace of cemeteries, those simple records of lives that came before. My daughter has spent much of her childhood in cemeteries, giggling inappropriately over stones…
I’m a believer that some story shapes lend themselves more readily to pieces of different lengths. The shape of Mary Helen Specht’s story, “Night Island” (Prairie Schooner, Winter 2014), is risky and surprising, and might not work as well in a longer story or novel. But it’s what allows her six-hundred-word flash fiction piece to…
David J. Daniels writes poems that sneak up on you. Smart and worldly, emotional and funny, they convey a sense of life-as-it’s-lived: culture both high and low, our strivings and failings, the countless ways we let each other down and hold each other up. Because of the immediacy of voice and freshness of language, you…
In this second installment of the Literary Blueprints series, we’ll look at the Mad Woman. Don’t forget to read the first Blueprint, The Byronic Hero. Origin Story: Also referred to as “The Mad Woman in the Attic,” this character type hails from the dark side of Jane Eyre. Bertha Mason, the mysterious Mr. Rochester’s first…
The Man Booker Prize was first described to me by a writing mentor as “the book prize of all book prizes,” its winning titles fast-tracked to literary canonization and international renown. With so many novels vying for that golden spot, the prize judges have a little bit of reading to do. So it’s no…
Emotions, feelings, desires—whatever you choose to call them—are central to writing. e.e. cummings wrote “since feeling is first / who pays any attention / to the syntax of things / will never wholly kiss you.” But how do we pay attention to syntax while retaining feeling? There are countless elements of craft to aid the…
Pessimism is not particularly hard. I thought of this last month when I spent an hour in my brother’s kitchen near the baby monitor through which I could hear my poor twenty-two-month-old niece hacking up phlegm. After an hour I began to mistake this noise for the wind, or for my own thoughts. Moments of…
The opening sections of Alix Ohlin’s wonderful short story “Taxonomy,” (TriQuarterly 146) shows how a simple plot can open into a compelling mystery through just a few quick descriptions. In the first scene, the narrator Ed stops at a roadside Amish gift shop to try to find an appropriate gift for his daughter. As you…
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