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Photo of a man at a typewriter with a crumpled piece of paper as a head and more crumpled papers scattered around him

The Ploughshares Round-Down: Embracing Hard Truths About Writing

Okay writers. My last Round-Down was about the impact of self esteem on our creativity. Several readers asked for a followup about how to cultivate said esteem, and for a half-second I was so on it. But I can’t deny that the news around the world has been horrifying the last few weeks, and that trying to…

Cover for the Paris Review issue 209

The Best Story I Read in a Lit Mag This Week: “My Wife, in Converse” by Shelly Oria

Stories written in the first person are supposed to be more intimate and allow us greater access to the emotions and thoughts of the narrator than second or third person. But what about the characters who aren’t eager or able to articulate their feelings? What happens when we give them the mic and ask for…

Group of people sitting around a conference table with laptops

The Ploughshares Round Down: How To Tell People What Your Book Is About

Last week, I received a fiction pitch I knew I would reject a few lines in. It contained the phrase, “after he discovers a family secret long since buried.” (Or something like that.) I wrote back to the author and admitted that I was passing because, while other people might like books about that, I’m…

Voice and Chorus:  Cristina Henriquez and “The Book of Unknown Americans”

Voice and Chorus: Cristina Henriquez and “The Book of Unknown Americans”

I saw Cristina Henriquez read just a few weeks ago at Book Court in Brooklyn, where my poet buddy, Sally Wen Mao, took me after a long day in the city. Generally, I’m horrible at readings.  I’m the guy seated in the front row, probably running on three hours of sleep or less, glassy eyed (behind…