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Writing Lessons: Steve Lewis

Writing Lessons: Steve Lewis

In our Writing Lessons series, writers and writing students will discuss lessons learned, epiphanies about craft, and the challenges of studying writing. This week, we hear from Steve Lewis, a faculty member at the Sarah Lawrence Writing Institute. You can visit Steve’s website at www.stevelewiswriter.com. —Andrew Ladd, Blog Editor Back in the 80s I’d sometimes find,…

The Ploughshares Round-Down: Do White Male Editors Only Publish White Male Books?

The Ploughshares Round-Down: Do White Male Editors Only Publish White Male Books?

For most of the nonfiction books I sell, the editors I’m selling to have a lot of objective information on hand to guess at a title’s potential success: the author’s Twitter following, other books on the same subject, other books by the same author, the popularity of magazine articles on the same subject, and so…

Mess With the Horns: A.L. Kennedy’s On Bullfighting

Mess With the Horns: A.L. Kennedy’s On Bullfighting

Under Review: On Bullfighting by A.L. Kennedy (2001, Anchor Books, 176 pages) Scottish novelist A.L. Kennedy’s exploration of Spain’s matador culture begins, jarringly, with the author in earnest contemplation of her own suicide. Fortunately she backs off the ledge. But the pervasive theme of On Bullfighting, and of bullfighting in general, has been dramatically established: death,…

Writers with Responsibilities: I’d Like to Click My Heels Three Times…

Writers with Responsibilities: I’d Like to Click My Heels Three Times…

Dear Sally, I’m a single mother with four kids—everything from tweens to a would-be adult—and I just went back to work full-time. I tell people I’m a writer, but lately I’m a just a thinker, collecting details and perhaps inspiration but never transposing them to the page. I read your sage advice but I still…

The Best Story I Read in a Lit Mag This Week: “Buried Voice” by Angie Kim

The Best Story I Read in a Lit Mag This Week: “Buried Voice” by Angie Kim

I don’t often love stories told from the perspective of kids. I think it’s difficult to write a child that feels believable—or interesting, to be honest. For me, stories with a child or teenage narrator too often devolve into the overly cute. The narrator is too precious. The character’s simple, bald observations aspire to be…