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Jhumpa Lahiri’s new novel beautifully showcases the way we experience life: the moments that are most important—the turning points—are often only realized in retrospect.
Gabriela Garcia’s non-chronological debut novel, built on glimpses of memory and history, digs into issues of cultural identity, social and political unrest, and the complexities of lives informed by migration, oppression, and racial inequality.
Divya Victor’s new collection is a moving critique of the South Asian immigrant experience within post 9/11 America.
All the attention critics give to Anita Brookner’s unmarried heroines obscures what’s truly subversive in her 1984 Brooker Prize-winning novel. It isn’t just that Brookner’s protagonist charts a different course, maritally speaking; it’s that the novel’s dramatic focus is women looking critically at other women.
When a defense attorney asked Donald Williams II, a Black man and witness to the lynching of George Floyd, if he got “angrier and angrier,” Williams responded, “I grew professional and professional.” Such racial performance and linguistic inventiveness are on display in poems by Douglas Kearney and Yusef Komunyakaa.
J. Robert Lennon’s new novel and short story collection, both released last week, offer up an aesthetic of the uncompromising, the surprising, and the fantastic, either cloaked in the everyday or surreally spread.
Caleb Azumah Nelson’s highly anticipated debut celebrates Black art and explores generational trauma.
Las Vegas is a feat of tremendous sleight of hand. What Diofebi shows in his debut novel, out this week, is all the thousands of machinations happening in the background, producing what is ultimately a glorious illusion.
Even to an erudite mage like Shakespeare’s Prospero, Miranda’s mind is mysterious and powerful, her memory evocative of her individual, autonomous character. He’s done his best to teach her, despite the circumstances, but no teacher can say with certainty what a student will remember and what will be forgotten.
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