In our Roundups segment, we’re looking back at all the great posts since the blog started in 2009. We explore posts from our archives as well as other top literary magazines and websites, centered on a certain theme to help you jump-start your week.
If Grease has taught us anything, it’s that summer is the time for lovin’, and if your inbox has taught you anything, it’s that wedding season is upon us. Here’s a roundup of posts about the often volatile, sometimes emotional, and ever dynamic relationships between writers, readers, and work.
“…you’re getting this letter because you put yourself out there. Read it, think about it, and put yourself out there again,” advises Eric Weinstein in What Rejection Means to Me.
“Those first pages help me decide if the book and I would make a great couple. Do I want to take it out for coffee or tea?” muses Thien-Kim in “When Do You Break Up With Your Book?”
“Whether it is fatigue, disgust, or something in between, the breakup is because something is broken between the author and the reader,” directs Robin Bradford in It’s Not Me, It’s You: Breaking Up With An Author.
Remember, as Chekhov once wrote to a friend, “Medicine is my lawful wife, and literature is my mistress. When I get fed up with one, I spend the night with the other.”
“Oh, I get it. ‘Pete’ is the name of the boy who falls off the log. ‘Repeat’ is the name of the other boy, but when you say his name, you’re also asking me to say the joke again.” My daughter says this a week after she’s been told the classic “Pete and Repeat” joke. You…
The shapely tesserae of a well-chopped onion. Butter and flour foaming into roux. The beauty of texture, the formal grace: the rough seed husk and the slippery seed. Precision in small things. The hours spent simmering and adjusting, simmering and stirring till the earth is in it. Knifecraft; the importance of technique. The colorful raw…
“You can say anything with kindness” is the oft-repeated phrase of most professors in writing workshops. It’s a reminder, of course, to speak the truth in our criticism of each other’s work, but to speak it gently. It’s one way to make the workshop environment feel safe and comfortable. Most of the time it works,…