In our Roundups segment, we’re looking back at all the great posts since the blog started in 2009. We explore posts from our archives as well as other top literary magazines and websites, centered on a certain theme to help you jump-start your week.
If Grease has taught us anything, it’s that summer is the time for lovin’, and if your inbox has taught you anything, it’s that wedding season is upon us. Here’s a roundup of posts about the often volatile, sometimes emotional, and ever dynamic relationships between writers, readers, and work.
“…you’re getting this letter because you put yourself out there. Read it, think about it, and put yourself out there again,” advises Eric Weinstein in What Rejection Means to Me.
“Those first pages help me decide if the book and I would make a great couple. Do I want to take it out for coffee or tea?” muses Thien-Kim in “When Do You Break Up With Your Book?”
“Whether it is fatigue, disgust, or something in between, the breakup is because something is broken between the author and the reader,” directs Robin Bradford in It’s Not Me, It’s You: Breaking Up With An Author.
Remember, as Chekhov once wrote to a friend, “Medicine is my lawful wife, and literature is my mistress. When I get fed up with one, I spend the night with the other.”
In our Writing Lessons series, writers and writing students will discuss lessons learned, epiphanies about craft, and the challenges of studying writing. This week, we hear from Jessica Pishko, a composition teacher at San Francisco State University and at the Prison University Project at San Quentin State Prison. You can follow her on Twitter @jesspish. —Andrew…
The New York Times blog recently highlighted a website called Coffitivity that plays ambient coffee shop noise on an endless loop to help you work more productively from home. I can only assume they previously deduced, through the same vigorous scientific trials I myself have undertaken, that Barista Noise is marginally more helpful to the…
I have to admit that this was one of the tougher playlists to put together. Aimee Bender’s latest collection, The Color Master, does not easily lend itself to non-ephemeral song. It’s a collection that drops hints. In the opening story, “Appleless,” for example, a girl refuses to eat apples, compelling those in the orchard to…