In our Roundups segment, we’re looking back at all the great posts since the blog started in 2009. We explore posts from our archives as well as other top literary magazines and websites, centered on a certain theme to help you jump-start your week.
If Grease has taught us anything, it’s that summer is the time for lovin’, and if your inbox has taught you anything, it’s that wedding season is upon us. Here’s a roundup of posts about the often volatile, sometimes emotional, and ever dynamic relationships between writers, readers, and work.
“…you’re getting this letter because you put yourself out there. Read it, think about it, and put yourself out there again,” advises Eric Weinstein in What Rejection Means to Me.
“Those first pages help me decide if the book and I would make a great couple. Do I want to take it out for coffee or tea?” muses Thien-Kim in “When Do You Break Up With Your Book?”
“Whether it is fatigue, disgust, or something in between, the breakup is because something is broken between the author and the reader,” directs Robin Bradford in It’s Not Me, It’s You: Breaking Up With An Author.
Remember, as Chekhov once wrote to a friend, “Medicine is my lawful wife, and literature is my mistress. When I get fed up with one, I spend the night with the other.”
What to do when, as a writer, you’re ready to move on from a world you’ve created, but your fan base is not? L. Frank Baum, the originator of the Oz world and all its charming characters, had exactly that experience. It goes like this. Beginning in 1900, he put out, roughly, a book a…
In I, Little Asylum, Emmanuelle Guattari reflects on her childhood at La Borde, an experimental psychiatric clinic founded in 1951 in the Loire Valley, France. Are the textures of this novel cum memoir particular to its setting? Can we detect in the book’s rhythm and style anything that directly belies growing up in this ‘clinic disguised as a castle’?