Alexandra Kleeman and the Poetics of Weather
There’s much more to fictional weatherscapes than the tonal work that lies on the surface. Weather presents a fundamental aspect of narrative that, by definition, lies outside of the realm of agency.
There’s much more to fictional weatherscapes than the tonal work that lies on the surface. Weather presents a fundamental aspect of narrative that, by definition, lies outside of the realm of agency.
This week, I reread Alexandra Kleeman’s short story “Choking Victim”. I had first read it when it was published in The New Yorker in May 2016, when I was spending most of my days at home with a mysterious newborn.
By utilizing various forms of “effluvia” in their work, Amelia Gray, Alexandra Kleeman, and Helen Oyeyemi give us greater insight into the human condition. They show us why shit matters.
YOU TOO CAN HAVE A BODY LIKE MINE Alexandra Kleeman Harper, August 2015 283 pp, $25.99 Buy hardcover | eBook | trade paperback | audio Seeming unmoored from both tangible responsibility and abstract constructs, like Mersualt in Camus’ The Stranger, “A”—the narrator of Alexandra Kleeman’s debut novel You Too Can Have a Body Like Mine—drifts…
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