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In 1843, Dickens read a report from the Parliamentary Commission on the Employment of Women and Children and was horrified by its findings. He resolved to write “something to strike the heaviest blow in my power” on behalf of those he saw as the innocent victims of the Industrial Revolution.
With the indefinite article “a,” Dickens seems to declare that the story is not about a carol, but is, instead, itself a Christmas carol: a song for the season.
Though genre forms and conventions have changed rapidly throughout the short history of the novel, the popularity of one subspecies has endured: the bildungsroman, or coming-of-age novel.
My Twitter timeline is big on one meme these days: me then, me now. Sometimes it’s “me in 2006, me in 2016,” but mostly it’s “me at the beginning of 2016, me at the end.”
The reputation of the nineteenth century novel tends to precede its reading. By this I mean: few readers come to first contact with the likes of JANE EYRE, MIDDLEMARCH, or TESS without some established prejudice for or against the genre, usually in the milieu of a middle or high school literature class.
Dear non-orphaned and/or adopted authors, The orphaned and adopted would appreciate your consideration the next time you take away a character’s family just because it’s interesting. Sincerely, an adoptee.
In the wide realm of literature, having parents is a convenience that escapes many characters. The Orphan is one of the most prominent characters in literature, in part because the absence of parental figures automatically fuels so many possible motivations. Origin Story: Unlike some blueprints, which can be traced to Greek origins, the Orphan…
Last year’s wildly popular podcast, Serial, will be back this fall with a new case. Looking for something to fill the time while you wait? Why not check out some of the original serials—novels that were doled out in dribs and drabs. Serial follows in a long tradition of segmented storytelling, one that relies on…
I once read (though the source is now lost to me) that the names of the characters in a novel do the work of telling the reader what world he’s in. Musicality, characterization, hints at a character’s gender, ethnicity, and social status—all of these are important in a name. But at the most basic level,…
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