The Dark Side of the Wild
How does the idea of the “wild” manifest itself in the lives, and ways of living, that contemporary America remains both fascinated by and deeply ambivalent about?
Cheryl Strayed
Writing Travel: A Process of Unmooring
Sara Majka‘s debut story collection, Cities I’ve Never Lived In, begins with movement: “Maybe ten or eleven years ago, when I was in the middle of a divorce from a man I still loved, I took the train into the city. We were both moving often during this time, as if it were the best…
Impossible to Pin Down: Truth & Memory in Nonfiction
Nonfiction as a genre confronts the discordance between memory—a slippery, subjective entity that can be the antithesis of truth—and actuality. Roy Peter Clark writes of the “essential fictive nature of all memory.” Mark Kramer and Wendy Call, editors of Telling True Stories: A Nonfiction Writers’ Guide from the Nieman Foundation at Harvard University, write “of…
The Passionate Lives of Writers and Readers
When my husband and I moved in together, one of the biggest challenges we faced was how to merge our TV-watching styles. For my husband, if the TV is on, you’re actively watching something. For me, if the TV is on, it means you’re home. (I need some kind of ambient noise, and why not…
The Power of An Author Who Can Share Her Insides
At least sixteen years ago, maybe more, I read Elizabeth Wurtzel’s Prozac Nation and saw myself. These days, it’s de rigueur to dismiss Wurtzel as a chaotic, self-involved mess. But back then, after receiving a diagnosis of chronic depression with bipolar tendencies, I ate up Wurtzel’s navel-gazing, book-length confessional. I read about her struggles with depression and, in…