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According to Wikipedia, a keystone is “used figuratively to refer to a central element of a larger structure […] that locks the other elements in place and allows the whole to be self-supporting.” With a stone archway, the form is inherent, or predetermined. First, there is the abutment, then vertical supports, then voussoirs, and finally,…
In her most recent book, Dandarians (Milkweed, 2014), Lee Ann Roripaugh writes in the borderland between poetry and prose, blurring boundaries and finding the unfamiliar music in everyday language. She is also the author of three previous books of poetry, including Year of the Snake, which won the Association of Asian American Studies Book Award…
Craft talks regarding omission lean heavily on Hemingway’s Iceberg Theory, what John McPhee recently called, “or, how to fashion critical theory from one of the world’s most venerable clichés.” Aside from the obvious trimming of superfluous language or gratuitous scenes, it could be argued that omission, in one extreme, is the antithesis of context. Nonfiction…
Used poorly, second-person reads like a trope; used well, second-person as a narrative device adds inclusivity to literature, raises questions of authorship, and helps an author communicate politically-charged topics like globalization, race, and gender. Mohsin Hamid utilizes second-person in his novel, How to Get Filthy Rich in Rising Asia, a tongue-in-cheek how-to for globalization. The…
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