The Secret History’s Fates, Allusions, and Tragedies
By making her first novel’s characters classicists, Donna Tartt lets us in on the trick: that this book is, in essence, a modern day Greek tragedy.
By making her first novel’s characters classicists, Donna Tartt lets us in on the trick: that this book is, in essence, a modern day Greek tragedy.
I am in the midst of an anticipating season. My first book comes out in a month; my second baby will be born in a little over two. I’m finding that in terms of productivity right now I’m pretty useless.
There’s a passage in Donna Tartt’s celebrated The Goldfinch, almost a third of the way in, where our protagonist Theo Decker first touches down in Las Vegas. He is arriving for the first time in the West, and Tartt and her literary eye are too.
Last weekend, I spent an evening in the woods with a group of strangers in search of owls. It was a cold, eventless quest, punctuated by the unanswered hooting of our guide and the sporadic cry of distant foxes. Every ten minutes, the guide would call out with a soft “oo—loo—oo,” and our group would…
No products in the cart.