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In Marie-Helene Bertino’s “Edna in Rain” (reviewed in February), the narrator’s ex-lovers are literally raining from the sky, leaving her to deal with the surprising consequences. In Ling Ma’s “Los Angeles” (Granta), the narrator has similar problems with past lovers, leading to a wild exploration of memory’s hold on the present. In the first paragraph,…
The traditional short story’s primary building blocks depend heavily on logic. A character’s desire meets with a series of escalating obstacles until finally a climax is reached and that desire is fulfilled (or not) in a satisfying, plausible way. Melissa Goodrich’s “Anna George” (Passages North, Issue 36) flows far more associatively through its title…
Marie-Helene Bertino, in her short story, “Edna in Rain,” (Gulf Coast Winter/Spring 2015), goes to great lengths to make every aspect of her fictional world ordinary, in order that it might more clearly illuminate the absurdities of our own contemporary world. And making her fictional world ordinary is no small task, as by sentence…
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