Stories written in the first person are supposed to be more intimate and allow us greater access to the emotions and thoughts of the narrator than second or third person. But what about the characters who aren’t eager or able to articulate their feelings? What happens when we give them the mic and ask for…
I saw Cristina Henriquez read just a few weeks ago at Book Court in Brooklyn, where my poet buddy, Sally Wen Mao, took me after a long day in the city. Generally, I’m horrible at readings. I’m the guy seated in the front row, probably running on three hours of sleep or less, glassy eyed (behind…
In our Writing Lessons series, writers and writing students will discuss lessons learned, epiphanies about craft, and the challenges of studying writing. This week, we hear from Eric McDowell, a graduate of the MFA program at the University of Michigan. —Andrew Ladd, Blog Editor How did you lose your first tooth? I was at home, in…
As a writer, reader, and a creative writing teacher, I am—for now and forever—a staunch proponent of the place-based narrative. When we think of stories, we tend to focus on those bound to particular characters or events. And yet, some of the most compelling plot lines found in literature are borne from complications with place….
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