Flannery O’Connor

Origin Stories: Matthew Neil Null’s ALLEGHENY FRONT

Origin Stories: Matthew Neil Null’s ALLEGHENY FRONT

You just don’t see enough literary fiction about bears. If, like me, you prefer your nutritious reading with a side of mauling, you should pick up Matthew Neil Null’s Allegheny Front. Erudite, unsentimental, and alert to the natural world, Null turns the history of West Virginia into stories that feel both authentic and mythological. I…

Obama the Ellisonian: Another Reading of the President’s Worldview
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Obama the Ellisonian: Another Reading of the President’s Worldview

Early in the speech that Barack Obama gave last year to commemorate the fiftieth anniversary of “Bloody Sunday,” standing in front of the Edmund Pettus Bridge in Alabama, the president asked, “What can be more American than what happened in this place?” That line deserved more attention than it got. To recap what happened there:…

Conflict & Tension: What Writers Can Learn From How Visual Artists Use Contrast
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Conflict & Tension: What Writers Can Learn From How Visual Artists Use Contrast

Contrast is the visual artist’s most powerful tool. Contrast does not necessarily mean opposite. Evil and contentment, white and off-white are both contrasts, but they are not opposites. Artists use a spectrum of tools to achieve contrast: color and light, saturation and tone shading and line, focus, scale and perspective, body language and facial expression,…

Body Language: What Writers Can Learn from Artists
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Body Language: What Writers Can Learn from Artists

Body language is the nonverbal expression of emotion and thought—a form of communicating arguably more effective than the system made up of words. Words are adequate for the less complex task of conveying information, but body language and tone do the heavy lifting. By some estimates only 7 percent of all communication is verbal. Our…