Flannery O’Connor

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The Best Short Story I Read in a Lit Mag This Week: “How to Eat Chicken Wings” by Kristen Arnett

Flannery O’Connor wrote, “The longer you look at one object, the more of the world you see in it.” In her second-person flash fiction piece “How to Eat Chicken Wings,” (Tin House/The Open Bar) Kristen Arnett takes a long look at the object in her title, and what’s revealed is a story about overcoming and…

Literary Enemies: Marilynne Robinson vs. Flannery O’Connor
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Literary Enemies: Marilynne Robinson vs. Flannery O’Connor

Literary Enemies: Flannery O’Connor vs. Marilynne Robinson Disclaimer: Marilynne Robinson has no enemies. I hope you’ve never compared Marilynne Robinson to Flannery O’Connor, but I can see how you might have been tempted. There’s Iowa, first of all, and if it weren’t a proper noun I would have capitalized it anyway. Flannery O’Connor studied at…

Back to School Special: Thoughtful Imitation

Back to School Special: Thoughtful Imitation

  I didn’t study creative writing as an undergraduate; it wasn’t an option. When I enrolled in the MFA program at University of Washington, what I craved more than workshop (which I’d experienced a few times in continuing education settings) was the elusive “craft” class: reading analytically not to make an argument about literature (which…

The Ploughshares Round-Down: The Calvary Film and the Purpose of Art

The Ploughshares Round-Down: The Calvary Film and the Purpose of Art

“[T]he barrier between one’s self and one’s knowledge of oneself is high indeed. There are so many things we would rather not know! — James Baldwin John Michael McDonagh’s film Calvary begins with priest Father James (played by Brendan Gleeson) preparing to hear an unseen confessor. The confessor reveals that as a child, he was repeatedly raped…