Flannery O’Connor

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The Best Short Story I Read in a Lit Mag This Week: “How to Eat Chicken Wings” by Kristen Arnett

Flannery O’Connor wrote, “The longer you look at one object, the more of the world you see in it.” In her second-person flash fiction piece “How to Eat Chicken Wings,” (Tin House/The Open Bar) Kristen Arnett takes a long look at the object in her title, and what’s revealed is a story about overcoming and…

Literary Enemies: Marilynne Robinson vs. Flannery O’Connor
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Literary Enemies: Marilynne Robinson vs. Flannery O’Connor

Literary Enemies: Flannery O’Connor vs. Marilynne Robinson Disclaimer: Marilynne Robinson has no enemies. I hope you’ve never compared Marilynne Robinson to Flannery O’Connor, but I can see how you might have been tempted. There’s Iowa, first of all, and if it weren’t a proper noun I would have capitalized it anyway. Flannery O’Connor studied at…

Students sitting around a table with notebooks and pens.

Back to School Special: Thoughtful Imitation

  I didn’t study creative writing as an undergraduate; it wasn’t an option. When I enrolled in the MFA program at University of Washington, what I craved more than workshop (which I’d experienced a few times in continuing education settings) was the elusive “craft” class: reading analytically not to make an argument about literature (which…

Movie poster for Calvary depicting a man dressed as a priest in front of the ocean

The Ploughshares Round-Down: The Calvary Film and the Purpose of Art

“[T]he barrier between one’s self and one’s knowledge of oneself is high indeed. There are so many things we would rather not know!— James Baldwin John Michael McDonagh’s film Calvary begins with priest Father James (played by Brendan Gleeson) preparing to hear an unseen confessor. The confessor reveals that as a child, he was repeatedly raped by…