“Good Night and Good Luck” and “Debts,” by Grace Paley, are kinetic, and suggest more than is on the page: that a good story is one that’s told, and retold, written and read, with the goal of connecting people in different places and across generations, bringing everyone involved some level of immortality.
When the prolific author Brian Doyle passed away last month, American Letters lost not only a talented writer in Doyle, but also a waning parochial worldview.
Much like our lives, short stories are brief and end abruptly. They summon entire worlds in just a few pages and then bow out, with startling precision and compression. It is a delicate balance, and such delicate work requires small hands.
Grace Paley’s work has influenced many writers, both her contemporaries and those who followed. Amy Hempel has spoken often about Paley’s imprint on her work. For Hempel’s story “Today Will Be a Quiet Day,” Hempel has identified one Paley story as being particularly important.
In the term short story, “short” is a little baggy. You might find, within a collection of short stories, some that are a few pages, some that are thirty or more. Compared to a five-hundred-page novel, of course, neither of these is a long piece of writing. Both are compressed worlds. But the very short…
After years of dodging PTO meetings and volunteer opportunities, I became involved in a school overcrowding issue in my town because I didn’t want my children’s class sizes to become enormous. The problem seemed simple at first, but soon enough I was attending school committee meetings, spending hours writing emails, and holding forth at a…
Julia Child didn’t start cooking until she was close to forty and I didn’t either. For me it wasn’t the Le Cordon Blue School, but a need to finally be heard. I found my voice after my fourth child was born. I stopped telling tales at the bus stop and started to write them down….
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