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One person’s trash is another’s treasure. This is often as true for prose as it is for yard sales: a character’s perspective and primary concerns compose the lens through which they see the world. The narrator of Seth Clabough’s, “Und So Weiter” (Blackbird), sees his past and future in a ghost ship drifting out to…
Recently I was reading the prose section of an online literary magazine’s fall issue when I could not overcome a nagging sense that something was lacking. The stories themselves were well-written; the style was cohesive with the magazine’s tone; the narratives were engaging. Yet it somehow felt incomplete. As I scrolled through the stories again,…
“I need to tell you something,” he said. He twirled his spaghetti around his fork. She sipped her wine. “What is it?” “Well.” He shoved the tangle of spaghetti in his mouth and chewed. She fiddled with her spoon. Suddenly, the waitress appeared. She had a grease stain on her apron. Her nametag read…
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