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Much of Kristen Arnett’s second novel is about how we craft our stories to fit our needs, especially when we feel trapped, or frightened.
Floridian literature provides us with some evidence that the state’s aggressive setting takes an occasional youth back as a tax, like a spiteful Old Testament god, haunting every scrub habitat, clear-cut forest, abandoned development site, or drained swamp.
In Kristen Arnett’s debut novel, the dead resemble the living, and the living seem to be on the brink of death.
Flannery O’Connor wrote, “The longer you look at one object, the more of the world you see in it.” In her second-person flash fiction piece “How to Eat Chicken Wings,” (Tin House/The Open Bar) Kristen Arnett takes a long look at the object in her title, and what’s revealed is a story about overcoming and…
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