Poets Turning to Nonfiction
How do we tell our stories? What form best fits the autobiographical? For many writers, working in one genre is not sufficient, or else a single genre does not exhaust a writer’s obsession with their subject matter.
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How do we tell our stories? What form best fits the autobiographical? For many writers, working in one genre is not sufficient, or else a single genre does not exhaust a writer’s obsession with their subject matter.
Fasten your seat belts. Andrew Miller’s alternative lit style is about to take you on a bumpy ride. His memoir in essays, IF ONLY THE NAMES WERE CHANGED, vacillates between hyper-masculine and tender in terrain that traverses parental concerns about raising a daughter, drug and alcohol abuse, and how much of a jerk he is.
Today’s nonfiction writers have at hand a number of forms other than the essay and the memoir. There’s the flash essay, of course, and literary journalism. Then there’s the catch-all form of nonfiction known as the lyric essay. So, what do they all mean?
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