Leslie Jamison

assorted hear-shape candies on white bowl
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On Sentimentality: Zoe Heller, Leslie Jamison, Nate Pritts, & Mary Ruefle

When we talk about sentimentality in literature, we talk about the “contemporary, pejorative sense of the word,” Zoe Heller writes for the New York Times. A word defined by Merriam-Webster as “the quality or state of being sentimental especially to excess or in affectation.” A word with synonyms such as gooeyness, lovey-doveyness, mawkishness, saccharinity, and sappiness….

How to Write Violence

How to Write Violence

How to talk about violence in literature, when the term violence is so broad? “Violence” is defined as “behavior involving physical force intended to hurt, damage, or kill someone or something,” but it’s also used to depict the “strength of emotion or an unpleasant or destructive natural force.” How to talk—or write—about violence at all, both…

The keystone of a structure.
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Morphology of the Essay: Ander Monson, Claudia Rankine, Eula Biss, Leslie Jamison, & Maggie Nelson

According to Wikipedia, a keystone is “used figuratively to refer to a central element of a larger structure […] that locks the other elements in place and allows the whole to be self-supporting.” With a stone archway, the form is inherent, or predetermined. First, there is the abutment, then vertical supports, then voussoirs, and finally,…

The Narrowed Divide: Of Stylists, Shape-Shifters, and Multiple Aesthetics

  Our collective understanding of how a story, poem, or essay should operate remains in constant flux; every sentence is a new description of language, every piece of writing, a new commentary on art. In this sense, any shared definition of storytelling is best left unresolved, unless we are to say a story is simply…