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Over the past five years, France has witnessed, bemused, the emergence of a very special breed of master’s programs—in creative writing. Today, in a country that’s supposedly one of the cradles of Western literature (or so we French love to believe), there are, all in all, three such programs.
The scariest part of the proposed cuts to the National Endowment for the Arts and the National Endowment for the Humanities is that people seem to have accepted them already.
Hector Tobar wouldn’t be the first to speculate about a contemporary Latina/o literary renaissance. That hype has been around for a long, long while. It surrounded the work of Gen X Latina/o writers beginning to publish in the mid to late 90’s and early 2000’s of which Junot Diaz is the most notable. The same…
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