The High-Low Collapse in Dana Ward’s The Crisis of Infinite Worlds
Dana Ward’s collection is the very picture of postmodern poetry: compulsively self-conscious and concerned with the act of writing as much as with the subject of his writing.
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Dana Ward’s collection is the very picture of postmodern poetry: compulsively self-conscious and concerned with the act of writing as much as with the subject of his writing.
I wanted to begin this piece with a line like: “It’s dead, thank God” but Barthelme beat me to the punch thirty years ago in his essay “Not-Knowing.”
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