prose poems

Review: GHOST/LANDSCAPE by Kristina Marie Darling & John Gallaher
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Review: GHOST/LANDSCAPE by Kristina Marie Darling & John Gallaher

In the collaborative poetry collection Ghost/Landscape (Blazevox, 2016) by Kristina Marie Darling and John Gallaher there is no beginning or end. The first poem is “Chapter Two.” So begins traversing a time loop of poems where the reader can really “begin” anywhere. What is a beginning and what is an ending? Is moving forward and looking behind you the same thing? A circle never ends. “Chapter Two,” begins like a bed time story:

“We must have known there was no going back…that morning, before our windows had been broken, you asked about the lock on the door. I realized it was only a matter of time before the alarm sounded, which always seemed out of place in the dead of winter.”

“Slipperiness of Signification”: An Interview with Lee Ann Roripaugh
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“Slipperiness of Signification”: An Interview with Lee Ann Roripaugh

In her most recent book, Dandarians (Milkweed, 2014), Lee Ann Roripaugh writes in the borderland between poetry and prose, blurring boundaries and finding the unfamiliar music in everyday language. She is also the author of three previous books of poetry, including Year of the Snake, which won the Association of Asian American Studies Book Award…

“It’s A Bit Mysterious, and I Like That”: An Interview with Frank X. Gaspar
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“It’s A Bit Mysterious, and I Like That”: An Interview with Frank X. Gaspar

Frank X. Gaspar writes poems that are lyrical, powered by swift associations, and full of surprising images and leaps in thought that in retrospect make perfect sense. He is the author of five collections of poems, including Late Rapturous and The Holyoke, as well as two novels, most recently Stealing Fatima. Frank was born and…

“Little, safe boxes that contain trauma and violence”: An Interview with Jehanne Dubrow
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“Little, safe boxes that contain trauma and violence”: An Interview with Jehanne Dubrow

Jehanne Dubrow’s latest collection of poems, The Arranged Marriage, tells a difficult and moving story about the poet’s mother and her early life. The narrative gradually comes into focus for the reader through a sequence of beautiful, haunting prose poems—narrow blocks of words the poet likens to “newspaper columns” that convey her “poetic reportage.” Jehanne…