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Some part of me broke last Sunday. I kept scrolling this week through the news articles that listed the victims of the Orlando massacre, the pain in my heart growing with each name. It seems we’re being denied time and space to mourn.
It used to be that I didn’t know what Chicana/o literature was. Sometimes I still think I don’t, which is embarrassing because I teach classes on Chicana/o lit. The dictionary definition is easy—it’s been studied, chronicled, crystalized–and I can easily think of my heroes: Helena Maria Viramontes, Dagoberto Gilb, Corky Gonzales, Sandra Cisneros, La Gloria…
Some scholars say that Queer Latina/o writing is fast becoming a major core of the Latina/o literary canon. I say it’s the future of the canon altogether, with some of the most exciting, intelligent, and provocative American writing coming from the disciples of such luminaries as Cherríe Moraga, Rigoberto González, and Gloria Anzaldúa, among others who…
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