SoundMachine by Rachel Zucker
In her new book, Rachel Zucker questions if her family is a distraction from her poetry, or if her poetry is a distraction from her family.
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In her new book, Rachel Zucker questions if her family is a distraction from her poetry, or if her poetry is a distraction from her family.
The first literary interviews I remember reading were those conducted by my undergraduate poetry professor, a white man of a certain age. They were compiled in a collection published by a university press in 1983. White men were asking most of the questions, and white men were answering.
Most weeks since last August, I’ve taught writing with some volunteers at Orleans Parish Prison. We usually head over around midday, parking just off Canal Street and the Goodwill on Broad. Sometimes we’re asked to leave as soon as we arrive, and sometimes logistics warrant spur of the moment rescheduling—but, mostly, they like having us…
The Pedestrians Rachel Zucker Wave Books, April 2014 160 pages $18.00 Buy: book Rachel Zucker is a writer of daunting productivity. The Pedestrians is her sixth poetry collection since 2002; she has also published a memoir, co-authored a book about home birth with Arielle Greenberg, and co-edited two anthologies—this in addition to having three boys…
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