A life is divided into three parts: the time before you’re able to work, the time after you’re able to work, and the monstrous bulk of time between. After obedience to the law and some basic moral code, work is one of the great demands placed upon the able. It’s inherently traumatic, a sacrifice of…
The age of media and internet is one of fractal, ephemeral bodies—well-curated images of the self from certain angles and frozen in time, dust-coated corpses at the aftermath of a quake that provide little context, statistics and numbers that break down how many and what ages and when, yet provide little to no feeling. The…
Used poorly, second-person reads like a trope; used well, second-person as a narrative device adds inclusivity to literature, raises questions of authorship, and helps an author communicate politically-charged topics like globalization, race, and gender. Mohsin Hamid utilizes second-person in his novel, How to Get Filthy Rich in Rising Asia, a tongue-in-cheek how-to for globalization. The…
“Craft” was a dirty word at art school, a subtle derogative. The college dropped “and Craft” from their name so recently that the signs on the highway still held those words. Once, in a class critique, a peer called a hand-painted map used to make a stop motion short “crafty,” and my face stung, as…
Placed after a mention of death or dying, Kurt Vonnegut’s “So it goes” refrain throughout Slaughterhouse Five utilizes repetition to explore the inevitability of death. Early on in the book, Billy Pilgrim writes a letter to a newspaper about his experiences with extra terrestrials, and explains the origin of the phrase: When a Tralfamadorian sees a corpse, all…
Fox’s Empire really wants you to know it’s so King Lear. In the pilot, Lucious Lyon—music mogul, owner of Empire Entertainment and father to three sons—gathers his kids in the board room to talk about how he won’t be able to run things forever. “What is this? We ‘King Lear’ now?” his son Jamal…
When my husband and I moved in together, one of the biggest challenges we faced was how to merge our TV-watching styles. For my husband, if the TV is on, you’re actively watching something. For me, if the TV is on, it means you’re home. (I need some kind of ambient noise, and why not…
I’m a little disappointed in Jennifer Weiner. And not in the way you’d think. Certainly not in the same way as Jonathan Franzen. Rather, I’m disappointed that she’s seemingly buying into the genre vs. literary distinction while she (admirably and very hilariously) defends herself on Twitter against Franzen’s latest attacks. One of the things Weiner recently…
Where and when do you make time to read? If your answer is “at Chipotle,” then you can leave now. This article isn’t for you. You should also just move along if your answer is “beside a crackling fire in my study.” I don’t know who you are. Why are you reading a blog? Isn’t…
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