While not all of the fourteen stories in his new collection are a fair illustration of his ability, the balance demonstrates, once again, why he deserves a lasting place among American literary masters.
In Richard Bausch’s classic short story, “What Feels Like the World,” the looming grief over a mother’s death is conveyed through an impending vault at an elementary school gymnastics demonstration. In Amy Hempel’s classic, “When It’s Human Instead of When It’s Dog,” the tragic death of a spouse is portrayed through a carpet stain that…
I didn’t study creative writing as an undergraduate; it wasn’t an option. When I enrolled in the MFA program at University of Washington, what I craved more than workshop (which I’d experienced a few times in continuing education settings) was the elusive “craft” class: reading analytically not to make an argument about literature (which…
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