The eleven stories in O’Neill’s collection read like a string of understated poems that progress, implode, and digress. They are compelling not only because of his memorable characters but also because of his density and diction.
Excerpt: William Trevor almost always describes a character early in the story, using only a sentence or two, but getting at the essence of the character in a way that feels intimate and true. The descriptions are highly visual, often focusing on the face, but always gesturing towards characterization.
In Percival Everett’s story “A High Lake,” magic bubbles to the surface in thrilling ways.
The medium we present something on, often defines the kinds of stories we can tell and how we tell them. In the digital age, With Those We Love Alive shows us another way to write a story even if its written on our skin.
Ten years ago Random House published a wonderful anthology of food writing, Secret Ingredients: The New Yorker Book of Food and Drink. All essays, articles, and fiction featured in the book had earlier appeared in The New Yorker. I bought the book a couple of years after its publication and have since been consuming it bit by bit like a child hoarding something delicious.
Most of the stories in The Widow’s Guide to Edible Mushrooms, Chauna Craig’s debut collection, are set in the American West, centered on characters who often identify closely with their geography … And while Craig convincingly portrays a range of characters, her work is particularly striking when she writes about the landscape of motherhood and the special vulnerabilities of being a stepmother, themes that she understands as surely as she does her Montana settings.
I can’t resist impossibilities in fiction. Of course, a story’s fabulism is no guarantee I’m going to love that story in the end—but if a first line promises me a new world, I’m going to keep reading.
We have made it to 2017 with little protest (to the passing of last year, that is) and a whole lot of wonder about what to think of the previous twelve months. With an array of emotion fluttering over the land like strong winds, the confusion and misunderstanding and, for many, fear and distaste, give…
Some of the most effective short stories are by songwriters. The constraints and conventions of a five-minute pop song can structure a narrative in ways that, even before you get to the music, are incredibly moving.
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