Social media is in the spotlight—or crosshairs, as it may be–in the literary landscape this week. Several articles and author interviews have touched upon both the benefits and the tremendous costs known to an author maintaining their online presence, none of them coming to a firm conclusion about whether it’s better to be Harper Lee or Hanya Yanagihara, Cheryl…
“Anthologists invariably make enemies,” Eunice De Souza notes in her introduction to Nine Indian Women Poets. This anthology is unlike most anthologies, as De Souza takes up her editorial role to rally against universality, mapmaking, and flattery. De Souza isn’t seeking to make enemies, but she realizes that all choices for anthologies suggest other choices:…
Conceptual artist Dario Robleto has been aptly described as an alchemist, cultural archeologist, and “raconteur in the ancient way.” By his own definition, he is a “materialist poet”—a term that encapsulates his method of creating sculptural responses to lyrical material lists that mediate on the human condition. From black swan vertebrae to stretched audiotape recordings…
“If you expect nothing from anybody, you’re never disappointed,” wrote Sylvia Plath. Human beings can’t help but have expectations of each other and of themselves, even if those expectations are for nothing (which, of course, they never are). In D.J. Thielke’s “Persons of Interest” (Crazyhorse 87), the expectations characters have for each other, and themselves,…
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