Ha Seong-nan’s Bluebeard’s First Wife
Ha is invested not in the myth itself but in what it helps us see. In her hands, the fairy-tale works as a photo filter, bringing into clearer relief her actual subject: the horrors of daily contemporary life.
Ha is invested not in the myth itself but in what it helps us see. In her hands, the fairy-tale works as a photo filter, bringing into clearer relief her actual subject: the horrors of daily contemporary life.
Fiction illustrating menstruation clearly emphasizes the shame, myths and confusion surrounding it. But perhaps more, it illuminates, in a way that is uncommon for literature, the fear felt by the menstruating woman about her body, as well as a societal fear that the menstruating woman is a threat.
When stories transport me, they usually do it inside a character’s body, and the farther afield the story is taking me, the more important the physical details of the characters’ experiences become.
Today, my first book launches. It’s kind of a wonderful word, launch: such propulsive force in its sound. Such muscular, fearless leaping. To mark the occasion, I thought I’d take a look at launchings of various kinds in literature. Not gradual beginnings, not slow evolutions into different forms, but sudden catapults into the new.
My childhood copy of The Secret Garden is unusually pristine for one of my books though I read it many times. Two of us must have worked hard to keep it that way; the book was my mother’s before it was mine. Next to the flowery, rabbity bookplate I stuck inside, you can see the…
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