Pursuing Essence through Ambiguity: On Kawabata’s Palm-of-the-Hand Stories
Among the known instances of writers reworking published material, Japanese author Yasunari Kawabata stands apart for his seemingly untenable decision to turn his acclaimed novel Snow Country (for which, along with Thousand Cranes and The Old Capital, he received the 1968 Nobel Prize) into an eleven-page story. Kawabata completed “Gleanings from Snow Country” just three…