In Patricia Engel’s 2016 novel, a family, having been exiled from Cartagena, Colombia to the United States, is separated from their country by a vast gulf. But the ocean doesn’t just act as a barrier—it is also the scene of the traumatic event that the protagonist’s life revolves around.
Despite the foothold grief retains in our lives at large, its portrayals in our art are often one-size-fits-all. It isn’t simply a question of what is appropriate to grieve—the world provides no shortage of reasons for that—but whether on the television, over Facebook, or, most perplexingly, within literary fiction, we put parameters on not only…
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