Hayes and Moss offer us a very different kind of engagement with literary forebears; their responses perhaps recognize how those forebears have unequivocally shaped contemporary poetry, but they also identify the canon as an imperfect, exclusionary artifice and insist that there is not a single literary tradition.
The composition of poetry has taken on a new life. Poetry has evolved from oral and traditional forms, to print and performance, and to our present moment where an amalgam of all forms is possible with technology. Video is a revisiting of the oral and performative traditions of poetry in a contemporary context. Moving images can address the human experience and maintain the complexity of ideas, range of emotions, and clarity of language as does written poetry.
Every time I pause in front of a stack of lit mags at my house, I find myself flipping through one for a morsel. Gimme something good. I find myself re-reading things I’ve already read and feeling surprised by them again and again, as if the magazine keeps the poems new and Ziploc-fresh.
I conducted short interviews with a group of hotshot poets, scholars, and critics to help out. I invited them to nominate an American poem they think is underrated—a poem they wish more people loved and taught, a poem that might be for many an unknown unknown.
Here’s the story of my first and only encounter with Harold Bloom. It was the first week of a new semester, my last semester of graduate school, and I was waiting in a stuffy seminar room packed with sharply dressed undergraduates. The luckiest students had secured seats around the grand conference table while the rest of…
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