I could spin many narratives for why I wanted this series. Instead I’ll be honest with you: it was mostly for my own sanity. Maybe you’ve got a better handle on this than I do, but my way of engaging with our daily media does not feel particularly healthy, or intentional, or useful.
Can poetry, through its command of sound, represent physical spaces, objects, and movement? Can one describe something—a setting, a object, a person—and also synesthetically render it for the reader?
Irish poet Sinéad Morrissey first caught my attention with her long poem “The State of the Prisons” about the 18th century reformer John Howard’s humanitarian mission to bring some sanity and basic decency to England’s prisons. Morrissey brought to life a fascinating story from history using regular stanzas and a bit of rhyme, which struck me as…
The United States is getting a new addition. In early 2017, the first museum dedicated to writers from the USA, the American Writers Museum, will open. Its mission will be to celebrate American writers and literature. The idea came from Malcolm O’Hagan, an Irish immigrant and retired engineer who is raising the funds for the project. He recently announced that the…
Writer Catherine Nichols’ recent experiment, in which she submitted a manuscript to agents under a male pseudonym and received eight-and-a-half times the number of responses that the same manuscript received under her real name, confirms a gender bias in publishing that desperately needs addressing. Nichols is not without precedent in her experiment. Many famous examples of…
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