When my mother, born in America to Israeli parents, first met my father in Tel Aviv, she said she knew he was right for her because he was an American living in Israel. As a young woman who grew up in transit—constantly being moved around between the two countries—she recognized in him a kindred spirit:…
In an episode of HBO’s Girls titled “Free Snacks,” aspiring writer Hannah Horvath lands a job producing “advertorial” content at GQ. Characteristically sharp and observant, she immediately brainstorms circles around her coworkers; at this rate, they suggest, she could really make a name for herself. But Hannah isn’t interested. Hannah: I’m not looking to take…
Jeremy Tiang is a fiction writer, playwright, and translator from Singapore. His short story collection It Never Rains on National Day was published by Epigram Books in 2015, and is available at Epigram Books’ website. He lives in Brooklyn and was recently featured in the Singapore Writers Festival. We caught up in an email interview. Xin…
The Oxford India Anthology of Tamil Dalit Writing Ravikumar and R. Azhagarasan Oxford University Press, 2012 480 pp, $39.95 Buy hardcover Of the social, political, and economic issues facing India since independence in 1947, the situation of Dalits has been one of the most pressing. Dalits face discrimination and oppression in nearly every part of…
The age of media and internet is one of fractal, ephemeral bodies—well-curated images of the self from certain angles and frozen in time, dust-coated corpses at the aftermath of a quake that provide little context, statistics and numbers that break down how many and what ages and when, yet provide little to no feeling. The…
Used poorly, second-person reads like a trope; used well, second-person as a narrative device adds inclusivity to literature, raises questions of authorship, and helps an author communicate politically-charged topics like globalization, race, and gender. Mohsin Hamid utilizes second-person in his novel, How to Get Filthy Rich in Rising Asia, a tongue-in-cheek how-to for globalization. The…
Remember this series of graphs from last month that depressed the hell out of everyone? The one that reminded us that no book from a woman’s point of view has won the Pulitzer in the last 16 years? We could cry about it, or we could look at some more depressing statistics and then cry about…
I’ve been aware of Allan Gurganus since I was a few years old; we hail from the same small town, Rocky Mount, North Carolina, and his books lined the shelves of homes I visited, and the local library. Turns out his name was also in the New Yorker, and when I was nine, his book…
“Craft” was a dirty word at art school, a subtle derogative. The college dropped “and Craft” from their name so recently that the signs on the highway still held those words. Once, in a class critique, a peer called a hand-painted map used to make a stop motion short “crafty,” and my face stung, as…
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