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Old Flame

I saw him once in all these years, walking up the steep hill from the bus stop, past my parents’ house, on his way home to the house where he lived with his wife. I was outside on the lawn that day with my two boys, interfering in one of their arguments, separating them while…

On the Famish

What shall we call it when we’re sexually starving? I never liked the word "horny"; it’s trivializing and more than a little rhinocerean. Also too front heavy to be used for women. The old-fashioned phrase "on the lurch" sounds rude: monstro-comically (courtesy of The Addams Family) redolent both of lurching forward and being left in…

Make Believe

We will eventually be archaeology, but now in America I tell my young daughter the new headlights are a bluish-white instead of the smoky yellow of my upbringing. She’s busy with her bubble-making, her dig in the flowerbed, her pantomimed banquet, phantom guests dining on her small handfuls of weeds and grasses. Precisely, the lit…

Rome

I saw once, in a rose garden, a remarkable statue of the Roman she-wolf and her twins, a reproduction of an ancient statue—not the famous bronze statue, so often copied, in which the wolf’s blunt head swings forward toward the viewer like a sad battering ram, but an even older statue, of provenance less clear….

Florescence on 4th Avenue

Just as I’m going into the native seed store, where the ancient seeds of the world’s various peoples are kept and sold so that they can perhaps root in tomorrow’s ground, a young man who was just on the other side of the street, yelling furiously at his stoned friend on the other, quiets the…

On Joy

Last night’s rain has filled the fields with cornflowers, blue-bright as moons in children’s books, all milky light. They seem, my father says, the kind of color that could show up in the night. Cornflowers wilt in heat. By noon the sun will burn the fields green, as if no bloom had known them. I…

About Eleanor Wilner

As we change the past, so are we changed. These words, from Eleanor Wilner’s essay "Playing the Changes," are striking for how profoundly they speak not only to the poet and to the practice of poetry—indeed the practice of all art—but for how appropriately they also reveal the human situation—or at least, that impulse within us…