Article

Blackout

New York City, August 13, 2003 All this is not unusual in DR or Iraq. The city’s extension cord shorts. Afternoon, offices evacuate. The focus is on feet, some people walking through boroughs for the first time. We stare at our feet, elbow to elbow eyeing packed buses. Some hitch rides on the back of…

Ode to the Elephant

translated from the Spanish by Ilan Stavans Thick, pristine beast, Saint Elephant, sacred animal of perennial forests, sheer strength, fine and balanced leather of global saddle-makers, compact, satin-finished ivory, serene like the moon’s flesh, with minuscule eyes to see—and not be seen— and a singing trunk, a blowing horn, hose of the creature rejoicing in…

Introduction

In Story v. Novel, the story nearly always wins. In my opinion. I’ve written in both genres, and these days, when asked which I prefer, I say story. I like the precision of the language, the focus of the angle, the intensity placed on the moment. I like spending just that length of time, and…

Refund

They had no contract. It would be a simple transaction. A sublet in Tribeca for the month of September. Two bedrooms and a terrace: $3,000. They were almost forty years old, children of responsible, middle-class parents, and had created this mess out of their own sordid desires. Josh and Clarissa had lived for twelve years…

Bread and Butter

In 1936, when a tramp knocked on the farmhouse door and asked, please, for bread and butter, Kate hacked him a slice from the loaf she baked last Wednesday, and spread on it the Holstein butter she churned Saturday morning. He thanked her, Ma’am, and walked down the road looking for Help Wanted, for a…

Ode to the Eye

translated from the Spanish by Ilan Stavans   Powerful— but a grain of sand, a fly’s foot, half a milligram of dust entered your right eye and the world became dark and foggy. Streets became staircases, buildings were covered with smoke, your love, your son, your dinner plate changed color, turning into palm trees or…

Time as a Verb

This is the way I describe it; what time does to hands and face.                      That old-timer shoots a glance that makes like God in Genesis, you— a very image and withered likeness.               Or a finger points, mocking the way hands dislocate dates, memories, who’s died, what voices issue from one-way traffic—souls like a…

Arguing with Milosz in Vilnius

You are recently dead, old man,     with your thunderous brows and voice like a vast sea     hinting at a dangerous undertow— you are gone, your generation     of testimony, of witness, gone, gone among the ancient rites     of passage, gone, taking with you the innumerable     names of the lost. And yet…

Time on the Island

1 Tell me how the prison broke you. The first night, they played with a man in the next cell. Nine rollers scrunched in the tiny stall, hardly room to swing a fist—sometimes one elbowed another and apologized— the inmate wailed absentmindedly, just a voice, and I listened. I thought: I’d see you again. I’d…